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Nutempo Dance

Dance and Technology

To innovate and to be daring is what he likes best. With his wide smile and shining eyes, he is the definitive Brazilian dancer and choreographer. Everaldo Pereira, whom took part at Digital Futures in Dance, an event which happens every year in the UK and invests in the development and innovation of Dance and Technology.

The opportunity came from the well known dancer and choreographer, Harriet Macauley and her Company "Pair Dance", for whom Everaldo will be dancing for a year. "Everaldo is a very rare kind of dancer, he mixtures strength and softness, which is just beautiful", said Harriet. To find out more about this wonderful mixture, we talked with Harriet Macauley:

 

So, tell us, who is Harriet Macauley?

- I am 33 years old. My astral sign is Gemini. My background is half Caribbean - half British. I am quite fiery, sensitive, very passionate and I love dialogue. As a choreographer my personality can switch quite quickly, I can go from being very social to becoming quite subdued. This can be beautiful for art, but not always for real life (laughs).

 

Everaldo missed the first audition and the Company gave him a second chance. Would you say that it was worth it?

- In fact, to get Everaldo the second time gave me the chance to think more carefully about the new performance. I observed how he moved, what he could bring to the richness of the work and how I could work with him. It was great because it gave me time to understand what his role would be in this new performance showing at Digital Futures in Dance on the 7th of September.

 

What do you like most about Everaldo's style of dance?

- Everaldo is a rare kind of dancer. He responds to sounds so easily, both with his back and his arms, which is beautiful. It's been a real experience, because not only does he have incredible flow but he also has great attack in his dance. I think it comes from Capoeira. He knows how to utilize the floor with a flow of strength and softness. That is the integration that we look for in male dancers.

 

This mixture of strength and softness might have come at the right time, as 'Duality' is also the name of your new performance. Could you tell about it?

- The work "Duality" is about the relationship between the choreographer and the dancers - me as a dancer and as a choreographer actually performing with the dancers and the performance is about how the two come together. The two qualities, two personalities all come from such different backgrounds and it's so interesting what happens in the space inbetween. People don't realise that as a choreographer you still need the dancers to interpret your work and that dancers need to consider all the specific parts of the performance that they are working on. I don't see my dancers as being less important than me because I'm a choreographer. They are the vision of my work. They are the mirror of my work. For me it is really important that during the performance "Duality" they show their creativity and constantly challenge me to react, experiment and grow.

 

How many dancers took part in this performance?

- There are four dancers from four different countries. England, Holland, Germany and the only male dancer is Everaldo from Brazil.

 

How has it been working with Everaldo, who is the oldest dancer at the Company?

- I like working with mature dancers because it helps the young dancers stay on track. I think that fundamentally the more experience you have in life, the more you understand how your body moves. By learning more words you are able to communicate in a new way. The older you become, the better you are as a dancer because you take more time to think about what you are doing and have a greater sense of space. Younger dancers sometimes get discracted by the acrobatics and galmorous side of dance, whereas the mature dancers have the body intelligence that allows them to go deeper into the movements and deeper into the performance. They dance completely differently to the younger dancers.

 

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everaldoHow can technology contribute to dance world?

- The idea is to be able to see the details, accuracy and intimacy of the body. What we do is use a steadicam or a small camera to be able to get closer to the dancers. When you look at the stage, you get a relatively flat image, but using technology, you can appreciate the extra dimension of the touch of the skin, the sweat of the skin, the placing of the feet, every aspect of the physical part of the dancer are projected onto a large screen. The audience gets a more three dimensional vision of the bodies.

 

What changes about the performance with this digital integration?

- I think the digital aspect, particularly, in contemporary dance, brings another layer to the work. With it, we will be able to reach a larger market and become international. People cannot always afford to pay £15 or £20 for a ticket. Now they will be able to go online and see the work. Digital is the way forward because it allows access to people of all backgrounds to appreciate dance and not have to worry about going to a middle or upper class theatre to see a performance, as some people don't have this opportunity. Art is about sharing, Art is not meant to be locked in a cupboard, it should be appreciated by everybody, it sholdn't matter who you are or where you from.

 

Have you got plans to do any performances in Brazil?

Everaldo has suggested some festivals and I would like to take an existing work there, that's I've been touring for 4 years in England and also in New York. Hopefully, I can take this to Brazil because it is a very good work that has won several awards and it would be wonderful to share it with a Brazilian audience.

 

How does the Rambert Dance Company and Robert Alston, the two biggest dance companies that you worked for, influence in your work?

- I think I probably took less the classical dance techniques and more the organisation of these companies. I feel that the skills that you gain from working with these big companies is how to get the best from the dancers, and how best to utilise the dancers. I know what the dancers feel dancing for a big company because I used to be a dancer and now I know what it's like to be a choreographer. It is a completely different thing. As a dancer I learnt how to be a professional in a big company and that knowledge was so helpful when I formed my own. I came with so much professionalism, discipline, and engagement with the work and I think that's why my own company is growing so well.

 

How would you describe this moment in your professional life?

- "Duality" is a reflection of a greater maturity in my work and it deals with the fact that I constantly have to deal with new bodies. For example, I had just three weeks to build this work with the dancers. I had to utilise more what they bring to me as a choreographer and as a dancer. Maybe the next time I will have new dancers, new bodies and a new risk. Now I have more understanding and I feel comfortable to take the risk. "Duality" is a work, which will change constantly and this is a kind of experience for me.

 

Renata Fornari Written by
Renata Fornari


www.renatafornari.com
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